Submissions from 2024
Homemade Language, Conservative Fro-yo, and Sci-fi Sloths: How speculative migration fiction confronts the ends of worlds by challenging the nation-state, Zoe R. Scheuerman
Submissions from 2023
Yellow, Ella Deutchman
Zastrugi: Poems, Anna G. Sverclova
Submissions from 2022
Driving to S-Town, Kira Schukar
Queering the Ear: Podcast Aesthetics and the Embodied Archive in S-Town, Kira Schukar
Submissions from 2021
Six Impossible Things Before Breakfast: Girlhood in the Creation, Content, and Consumption of Victorian Children’s Literature, Betsy Barthelemy
Submissions from 2020
Bodies in the Margins: Refiguring the Rebetika as Literature, Sophia Schlesinger
Parsing a Victorian Sensation: The Literary Mechanics of Evolutionary Science in Vestiges of the Natural History of Creation, Jiawen Xavier Xin
Submissions from 2019
Elopement: Poems, Allison Claire Grace
Submissions from 2018
Shifting Binaries: American War Fiction from Vietnam to Iraq, Elizabeth Eggert
Satyrs, Syphilis, and Sailors: The Influence of Gaius Petronius’ Satyricon Liber on Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner”, Spencer Fugate
Submissions from 2017
Private Deaths: The Impossibilities of Home in the Modernist Novel, Ava Bindas
Cross Crossings Cautiously: Uses of African American Vernacular English in American Literature, Emily Crnkovich
On Pain of Death, Declan Cummings
Until the Fall or A History of Confidence and Afterwards, Sam Downs
Stormy Sunday, Henry Hietala
The Eliminate, Beenish Riaz
Constructed Borders and Conditional Belonging: Refugee Narratives in Literature and Law, Rachel C. Wilson
Submissions from 2016
Black Dreams: Sight and Sound in African American Life Stories, Karintha Lowe
Submissions from 2015
A Song Only Dead Men Know, Cassidy Foust
(Re)constructing the hybrid: negotiating transcultural South Asian women's subjectivity, Zoya Haroon
Submissions from 2014
A Den of Thieves, Robert F. Gelberg
My Sisters Come Asking, Emily Geris
Flock, Erin K. Schulz
Submissions from 2013
The Apartment, Jeesun Choi
Thin Skin, Zoe Rodine
Submissions from 2012
The End of Her, Kerry Alexander
Remembering and Recording the Vietnam War, Margaret Brunk
The Limits of Self and Sovereign: Performing Failure in Nabokov's Pale Fire and Rushdie's Midnight Children, Michael Ferut
Threnody, Amy Fitzgerald
Blueprints: poems, Dylan Garity
Needle to the Eye, Angus McLinn
Ausencia: A Novella, Sarah Mintz
Submissions from 2011
Joy Home, Jeffrey C. Henebury
Submissions from 2010
The Definitive Guide to the Downfall of P&W, Alice M. Anigacz
The Gala, Anna R. Joranger
The Things I Wish I Could Tell You When You Cry The Most: Stories, Celeste A. Prince
Anxiety de la historia: Understanding the Roots of Spanglish in the Texts of Junot Díaz, Kelsey A. Shanesy
Outhouses, Plant Monsters,and the Nowhere City: The Grotesque Body, Mark Verdin
Submissions from 2009
The Conscript, Timothy Lehman
Henry James and the Performace of Women, Alison Liss
Showstoppers: An Original Screenplay, Cassedy Mahrer
Mason Bonnereau, Tyson Morgan
The "Salient Point": Henry James and the New Woman in Portrait of a Lady and The Wings of the Dove, Adam Troldahl
Submissions from 2008
On The Familiar Stones, Wesley C. Robertson
Young Love, Legacy Eyes-of-the-Moon Russell
Submissions from 2007
A translation of Edith Södergran's modernist collections/The September Lyre and Altar of Roses, Vendela Engblom
1755 Chicago Avenue, Jake Seltzer
Submissions from 2006
A Third Wave Revisitation of Selected Works of Virginia Woolf and Zora Neale Hurston, Megan R. Nishikawa
The Ambiguous Forest: Marvelous Landscapes in Ovid’s Metamorphoses and Thomas Malory’s Le Morte Darthur, Joanna S. Stein
Apartment 8, Katherine A. Tylevich
Submissions from 2005
Return to Sender: Epistolary Form in James K. Baxter’s Jerusalem Sonnets and Lucie Brock-Broido’s The Master Letters, Rebecca Porte
