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Submissions from 2024

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Homemade Language, Conservative Fro-yo, and Sci-fi Sloths: How speculative migration fiction confronts the ends of worlds by challenging the nation-state, Zoe R. Scheuerman

Submissions from 2023

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Yellow, Ella Deutchman

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Zastrugi: Poems, Anna G. Sverclova

Submissions from 2022

Driving to S-Town, Kira Schukar

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Queering the Ear: Podcast Aesthetics and the Embodied Archive in S-Town, Kira Schukar

Submissions from 2021

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Six Impossible Things Before Breakfast: Girlhood in the Creation, Content, and Consumption of Victorian Children’s Literature, Betsy Barthelemy

Submissions from 2020

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Bodies in the Margins: Refiguring the Rebetika as Literature, Sophia Schlesinger

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Parsing a Victorian Sensation: The Literary Mechanics of Evolutionary Science in Vestiges of the Natural History of Creation, Jiawen Xavier Xin

Submissions from 2019

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Elopement: Poems, Allison Claire Grace

Submissions from 2018

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Shifting Binaries: American War Fiction from Vietnam to Iraq, Elizabeth Eggert

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Satyrs, Syphilis, and Sailors: The Influence of Gaius Petronius’ Satyricon Liber on Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner”, Spencer Fugate

Submissions from 2017

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Private Deaths: The Impossibilities of Home in the Modernist Novel, Ava Bindas

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Cross Crossings Cautiously: Uses of African American Vernacular English in American Literature, Emily Crnkovich

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On Pain of Death, Declan Cummings

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Until the Fall or A History of Confidence and Afterwards, Sam Downs

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Stormy Sunday, Henry Hietala

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The Eliminate, Beenish Riaz

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Constructed Borders and Conditional Belonging: Refugee Narratives in Literature and Law, Rachel C. Wilson

Submissions from 2016

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Black Dreams: Sight and Sound in African American Life Stories, Karintha Lowe

Submissions from 2015

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A Song Only Dead Men Know, Cassidy Foust

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(Re)constructing the hybrid: negotiating transcultural South Asian women's subjectivity, Zoya Haroon

Submissions from 2014

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A Den of Thieves, Robert F. Gelberg

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My Sisters Come Asking, Emily Geris

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Flock, Erin K. Schulz

Submissions from 2013

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The Apartment, Jeesun Choi

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Thin Skin, Zoe Rodine

Submissions from 2012

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The End of Her, Kerry Alexander

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Remembering and Recording the Vietnam War, Margaret Brunk

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The Limits of Self and Sovereign: Performing Failure in Nabokov's Pale Fire and Rushdie's Midnight Children, Michael Ferut

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Threnody, Amy Fitzgerald

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Blueprints: poems, Dylan Garity

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Needle to the Eye, Angus McLinn

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Ausencia: A Novella, Sarah Mintz

Submissions from 2011

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Joy Home, Jeffrey C. Henebury

Submissions from 2010

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The Definitive Guide to the Downfall of P&W, Alice M. Anigacz

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The Gala, Anna R. Joranger

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The Things I Wish I Could Tell You When You Cry The Most: Stories, Celeste A. Prince

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Anxiety de la historia: Understanding the Roots of Spanglish in the Texts of Junot Díaz, Kelsey A. Shanesy

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Outhouses, Plant Monsters,and the Nowhere City: The Grotesque Body, Mark Verdin

Submissions from 2009

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The Conscript, Timothy Lehman

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Henry James and the Performace of Women, Alison Liss

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Showstoppers: An Original Screenplay, Cassedy Mahrer

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Mason Bonnereau, Tyson Morgan

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The "Salient Point": Henry James and the New Woman in Portrait of a Lady and The Wings of the Dove, Adam Troldahl

Submissions from 2008

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On The Familiar Stones, Wesley C. Robertson

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Young Love, Legacy Eyes-of-the-Moon Russell

Submissions from 2007

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A translation of Edith Södergran's modernist collections/The September Lyre and Altar of Roses, Vendela Engblom

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1755 Chicago Avenue, Jake Seltzer

Submissions from 2006

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A Third Wave Revisitation of Selected Works of Virginia Woolf and Zora Neale Hurston, Megan R. Nishikawa

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The Ambiguous Forest: Marvelous Landscapes in Ovid’s Metamorphoses and Thomas Malory’s Le Morte Darthur, Joanna S. Stein

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Apartment 8, Katherine A. Tylevich

Submissions from 2005

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Return to Sender: Epistolary Form in James K. Baxter’s Jerusalem Sonnets and Lucie Brock-Broido’s The Master Letters, Rebecca Porte