Document Type
Honors Project - Open Access
Abstract
Caste—a graded structure of hierarchy—has historically shaped identities in South Asia and persists to this day. In opposition, Dalits (caste-marginalized communities) have utilized diverse mediums to communicate their resistance. In this thesis, I analyze the role of music in Bengali Dalit resistance through the work of Dalit singer-songwriter Smritikana Howlader (b. 1960). Based on ethnographic research, I investigate how folk music becomes a mode of Dalit historiography. In particular, I explore how Howlader aims to transcend caste boundaries through song, evoking shared humanity. I argue that Howlader’s performances combat dominant caste discourse and Dalit erasure, furthering Bengali Dalit resistance.
Recommended Citation
Bhattacharyay, Antara, "Hearing Caste: Dalit Resistance Through Folk Music in West Bengal, India" (2025). Music Honors Projects. 20.
https://digitalcommons.macalester.edu/musi_honors/20
Included in
Asian History Commons, Ethnomusicology Commons, Race, Ethnicity and Post-Colonial Studies Commons, South and Southeast Asian Languages and Societies Commons
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