Submissions from 2022
The Sounds of Home: A Composition Portfolio, Paul Gabriel L. Cosme
Schumann, Barthes and Deleuze: Three Strangers, Jonah Esty
Submissions from 2016
Mozart’s Concerto for Piano and Orchestra in B-Flat Major, K. 450: A Performance and Formal Analysis, Yihao Zhou
Submissions from 2013
Orchestral Conducting: Study and Performance of Orchestral Works by Haydn, Wagner, Strauss and Martinů, Jan Honza Cervenka
Johanna Kvan's Honors Recital, Johanna Kvam
Earthless - A Sonic Exploration of the Space Between Death and Life, Composed in Five Movements for Chamber Ensemble., Samuel P. Tygiel
Submissions from 2012
Illuminating the Infelice: Defiance and Transcendence in the 19th Century Operatic Madwoman, Claire Biringer
Illuminating the Infelice: Defiance and Transcendence in the 19th Century Operatic Madwoman, Claire Biringer
Submissions from 2011
Highlife and its Roots: Negotiating the social, cultural, and musical continuities between popular and traditional music in Ghana, William Matczynski
Submissions from 2009
Confianza for SATB Choir and String Quartet, Drake Andersen
Fifth Wheel for Jazz Band, Ian C. Boswell
Re-envisioning Tragedy: A Comparative Analysis of Gender and Madness in Three Twentieth-Century Operas, Caolfionn Bhreidé Yenney
Submissions from 2008
Modes of Expression in the Songs of Aimee Mann, Amy M. Coddington
Mysticism, Whimsy and Obscurity in Benjamin Britten's Sacred and Profane: Eight Medieval Lyrics (Op. 91), Daniel Pickens-Jones
Colonizing Voices in Maurice Ravel's "Chansons madécasses", Anna M. Sutheim
Submissions from 2007
El Vuelo de un Ángel: Trío para violín, violinchelo y piano, Luis Mesa Martinez
Quartet for Saxophones, Anh Trinh
Sonata for Trumpet and Piano, Josh Whitney-Wise
