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Submissions from 2019

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Superhybridity and the Swallowing of Subculture: Collisions of Afro-Asian Cross-Cultural Production and Consumption in Post-Internet American Popular Culture, Valentia Sundell

Submissions from 2018

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Race in Romance: Racialized Femininity and Intimacy between Asian Female and non-Asian male, Minju Kim

Submissions from 2017

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Converging Horror: analyzing the importance of Convergence Culture on a digital audience through an examination of the conventions and politics of the horror genre, Kelsey M. Fox

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Standing Rock, Markus Hoeckner

Submissions from 2013

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Productive Resistance, Nihilist Production, and the Fetish of Negation, Hanna Backman

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Decolonization and Community Media: Fostering a Decolonial Imaginary in El Alto, Bolivia, Rebecca Jackson

Submissions from 2010

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The Biopolitical Unconscious: Not-All Persons Are Political, Ross G. Shields

Submissions from 2006

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Popular Representations of Jewish Identity on Primetime Television: The Case of The O.C., Tamara Olson