Anna Morcom works on Indian and Tibetan music and dance from a variety of perspectives including politics, nationalism, modern history, media, gender, and economy and development. She is the author of Unity and Discord: Music and Politics in Contemporary Tibet (Tibet Information Network, 2004), and her latest book is Illicit Worlds of Indian Dance: Cultures of Exclusion (2013, C. Hurst and Co; OUP New York), which won the Alan Merriam prize of the Society for Ethnomusicology (SEM).
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"Review of The Song Collector by Erik Koto,"
HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies: Vol. 37
, Article 27.
Available at: http://digitalcommons.macalester.edu/himalaya/vol37/iss2/27