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Artist Statement
Anjali Moore and Nicole V. Salazar

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Tapestries 2022: Message from the Professor
Karin Aguilar-San Juan

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A Note from the Tapestries Editors
Sophie Mark-Ng, Sara Rukavina, and Anna Turner

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What It Means To Be a Monster: The British Raj, Race Science, and "The Other" in Fantasy and Folklore
Adam Majid

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Abolish Copaganda!: An ACAB Analysis of Sisters and The Wicker Man and the Ramifications of Abolitionist Spectatorship
Anjali Moore

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The Ivory Tower is Burning: Colonialism, Neutrality, and the Future of America's Art Museums
Anna Turner

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Polishing the American Dream: Vietnamese-Americans in the Nail Industry
Cathy Trương

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Solidarity Sing Alongs: Music as a Disruptive Force in the 2011 Protests in Madison, Wisconsin
Clare Mazack

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Productivity and Protest: The Institutionalization of Activism
Dakota B. McKnight

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Sprouting SEAD: Exploring Youth Southeast Asian Leadership Towards Abolitionist Futures
Haley Le-Vien

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Decentering the Gendered Whiteness of the Iconic American Cowboy: Media, Performance, and Race in the Rodeo World
Louise A. Blair

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Confirmation and not Revelation: The Radical Imagination and Visions for the Future
Nicole V. Salazar

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Complicating the Constructed Narrative of Minnesota’s Iron Range
Sara Rukavina

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Chinese Immigrant Women as Home Care Workers: Performing and Disrupting Narratives Through Labor Practices
Sophie Mark-Ng

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We Come from the Stars: Genealogies of Black and Indigenous Co-Resistance in Mni Sota Makoce
Zoe V. Allen