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Submissions from 2022

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The Sounds of Home: A Composition Portfolio, Paul Gabriel L. Cosme

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Schumann, Barthes and Deleuze: Three Strangers, Jonah Esty

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“It was Real to Me Too”: Emotional Storytelling and Character Development through Motivic Relationships in the Black Widow Soundtrack, Gwyneth John

Submissions from 2016

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Mozart’s Concerto for Piano and Orchestra in B-Flat Major, K. 450: A Performance and Formal Analysis, Yihao Zhou

Submissions from 2013

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Orchestral Conducting: Study and Performance of Orchestral Works by Haydn, Wagner, Strauss and Martinů, Jan Honza Cervenka

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Johanna Kvan's Honors Recital, Johanna Kvam

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Earthless - A Sonic Exploration of the Space Between Death and Life, Composed in Five Movements for Chamber Ensemble., Samuel P. Tygiel

Submissions from 2012

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Illuminating the Infelice: Defiance and Transcendence in the 19th Century Operatic Madwoman, Claire Biringer

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Illuminating the Infelice: Defiance and Transcendence in the 19th Century Operatic Madwoman, Claire Biringer

Submissions from 2011

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Highlife and its Roots: Negotiating the social, cultural, and musical continuities between popular and traditional music in Ghana, William Matczynski

Submissions from 2009

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Confianza for SATB Choir and String Quartet, Drake Andersen

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Fifth Wheel for Jazz Band, Ian C. Boswell

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Re-envisioning Tragedy: A Comparative Analysis of Gender and Madness in Three Twentieth-Century Operas, Caolfionn Bhreidé Yenney

Submissions from 2008

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Modes of Expression in the Songs of Aimee Mann, Amy M. Coddington

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Mysticism, Whimsy and Obscurity in Benjamin Britten's Sacred and Profane: Eight Medieval Lyrics (Op. 91), Daniel Pickens-Jones

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Colonizing Voices in Maurice Ravel's "Chansons madécasses", Anna M. Sutheim

Submissions from 2007

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El Vuelo de un Ángel: Trío para violín, violinchelo y piano, Luis Mesa Martinez

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Quartet for Saxophones, Anh Trinh

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Sonata for Trumpet and Piano, Josh Whitney-Wise