Highlife and its Roots: Negotiating the social, cultural, and musical continuities between popular and traditional music in Ghana

Authors

William Matczynski, Macalester CollegeFollow

Document Type

Honors Project On-Campus Access Only

Abstract

In this honors thesis, I examine the ways in which Ghanaian highlife, a 20^th century hybrid popular music style, is in dialogue with Ghana’s own traditional music and culture, what scholar John Collins describes as a “continuity with traditional life.” Arguing against conceptions of highlife music as “simplified” or “pidgin,” I suggest that there is a fluid relationship between Ghana’s traditional music and its highlife. The socio-cultural/musical elements of traditional music appear in highlife through indigenous instruments, melodies, rhythms, storytelling forms, and other thematic material. At once, traditional music exists as a resource from which popular musicians may strategically draw inspiration.

Recommended Citation

Matczynski, William, "Highlife and its Roots: Negotiating the social, cultural, and musical continuities between popular and traditional music in Ghana" (2011). Music Honors Projects. 10.
https://digitalcommons.macalester.edu/musi_honors/10