Submissions from 2013
The Apartment, Jeesun Choi
Submissions from 2012
The End of Her, Kerry Alexander
Remembering and Recording the Vietnam War, Margaret Brunk
The Limits of Self and Sovereign: Performing Failure in Nabokov's Pale Fire and Rushdie's Midnight Children, Michael Ferut
Threnody, Amy Fitzgerald
Blueprints: poems, Dylan Garity
Needle to the Eye, Angus McLinn
Ausencia: A Novella, Sarah Mintz
Submissions from 2011
Joy Home, Jeffrey C. Henebury
Submissions from 2010
The Definitive Guide to the Downfall of P&W, Alice M. Anigacz
The Gala, Anna R. Joranger
The Things I Wish I Could Tell You When You Cry The Most: Stories, Celeste A. Prince
Anxiety de la historia: Understanding the Roots of Spanglish in the Texts of Junot Díaz, Kelsey A. Shanesy
Outhouses, Plant Monsters,and the Nowhere City: The Grotesque Body, Mark Verdin
Submissions from 2009
The Conscript, Timothy Lehman
Henry James and the Performace of Women, Alison Liss
Showstoppers: An Original Screenplay, Cassedy Mahrer
Mason Bonnereau, Tyson Morgan
The "Salient Point": Henry James and the New Woman in Portrait of a Lady and The Wings of the Dove, Adam Troldahl
Submissions from 2008
On The Familiar Stones, Wesley C. Robertson
Young Love, Legacy Eyes-of-the-Moon Russell
Submissions from 2007
A translation of Edith Södergran's modernist collections/The September Lyre and Altar of Roses, Vendela Engblom
1755 Chicago Avenue, Jake Seltzer
Submissions from 2006
A Third Wave Revisitation of Selected Works of Virginia Woolf and Zora Neale Hurston, Megan R. Nishikawa
The Ambiguous Forest: Marvelous Landscapes in Ovid’s Metamorphoses and Thomas Malory’s Le Morte Darthur, Joanna S. Stein
Apartment 8, Katherine A. Tylevich
Submissions from 2005
Return to Sender: Epistolary Form in James K. Baxter’s Jerusalem Sonnets and Lucie Brock-Broido’s The Master Letters, Rebecca Porte