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Submissions from 2014

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A Den of Thieves, Robert F. Gelberg

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My Sisters Come Asking, Emily Geris

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Flock, Erin K. Schulz

Submissions from 2013

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The Apartment, Jeesun Choi

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Thin Skin, Zoe Rodine

Submissions from 2012

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The End of Her, Kerry Alexander

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Remembering and Recording the Vietnam War, Margaret Brunk

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The Limits of Self and Sovereign: Performing Failure in Nabokov's Pale Fire and Rushdie's Midnight Children, Michael Ferut

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Threnody, Amy Fitzgerald

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Blueprints: poems, Dylan Garity

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Needle to the Eye, Angus McLinn

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Ausencia: A Novella, Sarah Mintz

Submissions from 2011

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Joy Home, Jeffrey C. Henebury

Submissions from 2010

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The Definitive Guide to the Downfall of P&W, Alice M. Anigacz

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The Gala, Anna R. Joranger

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The Things I Wish I Could Tell You When You Cry The Most: Stories, Celeste A. Prince

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Anxiety de la historia: Understanding the Roots of Spanglish in the Texts of Junot Díaz, Kelsey A. Shanesy

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Outhouses, Plant Monsters,and the Nowhere City: The Grotesque Body, Mark Verdin

Submissions from 2009

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The Conscript, Timothy Lehman

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Henry James and the Performace of Women, Alison Liss

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Showstoppers: An Original Screenplay, Cassedy Mahrer

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Mason Bonnereau, Tyson Morgan

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The "Salient Point": Henry James and the New Woman in Portrait of a Lady and The Wings of the Dove, Adam Troldahl

Submissions from 2008

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On The Familiar Stones, Wesley C. Robertson

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Young Love, Legacy Eyes-of-the-Moon Russell

Submissions from 2007

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A translation of Edith Södergran's modernist collections/The September Lyre and Altar of Roses, Vendela Engblom

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1755 Chicago Avenue, Jake Seltzer

Submissions from 2006

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A Third Wave Revisitation of Selected Works of Virginia Woolf and Zora Neale Hurston, Megan R. Nishikawa

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The Ambiguous Forest: Marvelous Landscapes in Ovid’s Metamorphoses and Thomas Malory’s Le Morte Darthur, Joanna S. Stein

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Apartment 8, Katherine A. Tylevich

Submissions from 2005

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Return to Sender: Epistolary Form in James K. Baxter’s Jerusalem Sonnets and Lucie Brock-Broido’s The Master Letters, Rebecca Porte